6 fine-art steps for building a raised bed

Step 1. Construct a timber coffin-like structure to what ever size you require in what ever manner you like. Remember the timber will flavour your food so don't use timber that has been treated with chemicals. Level off and fix to the ground using stakes or star pickets.



Step 2. Break up and weed existing soil at the base of the bed. If your soil is clay add some river sand and lime, if your soil is sandy add some clay and manure.



Step 3. Using newspaper, cardboard or some twentieth century art, cover the soil in a thin blanket. This barrier will act as a weed mat and help lock in moisture, which also encourages worms. Wet down this layer with water to start the decomposition process and help keep it from blowing away.



Step 4. Add a layer of straw, fallen oak leaves or sugar cane mulch. This organic matter will slowly break down, fixing carbon in the soil. A good soil requires a balance of nutrients, carbon, nitrogen and diverse microbial life, which will mitigate pests. Never use synthetic fertilisers or pesticides, you want your soil to hum loosely, not fear life.



Step 5. Finish the layers with composted soil. I have used part mushroom compost here with my own home-brewed one. Lightly compress or flatten the soil with a board and sow your seeds.



Step 6. Protect your seeds from your free-ranging hens. Now it's time for a well deserved glass of Astrid's dark chocolate stout.

The future of food and social relations

Water

The proud gardener (or, multiple angles on a bunch of carrots)

Mulch

Shredding, gleaning, piling and heaping

Currently I glean most of the material for my composts. Neighbours recently saved a trip to the tip because I pulled up with my wheelbarrow and asked to take the loads away. I often take my wheelbarrow for a walk scavenging for material. Peter O has been getting into the habit of dropping off shredded paper from school (if only I could get hold of the White House's pile right now). We collect horse poo from the nearby horse riding ranch and, as I've mentioned before, we weekly collect the food scrap bins from a nearby cafe. As we have now started to harvest food, we have increased our green waste which, in a closed-cycle ecology, is not really waste at all. 

As you can see in the below picture our soil is highly disturbed, largely compacted clay. Intensive mulching, to keep moisture in the soil (which attracts worms who break down the clay), together with intensive composting over the next several years should see a dramatic decrease in water usage.

Reaping that which is possible

Today's harvest: broad beans and snow peas.

When growing food ceases to become a lifestyle choice (a mediation), but a life conscious act – or, rather a collective act for community health and defiance against governments who support industrialised agriculture – our society will begin its slow walk away from a culture of abuse to one of sustainability; one that fixes carbon, not one which burns it; one that produces no waste because everything is used and re-used in a closed-cycle ecology. Until that time government proclamations about the environment are empty and off the mark.

The food needs to be walking distance (relocalisation) and human brutality direct and seen for what it is, not disguised on the shelves of supermarkets. Our council tips need to move from methane producing toxic dumps to aerobic compost heaps and community gardens.

All of this is possible if enough of us stop waiting for governments to act or watch them lead us in the opposite direction (John Brumby). Which leads me to my current read (a gift from Jason), which I highly recommend:



David Graeber, p23 –

Sexual relations, after all, need not be represented as a matter of one partner consuming the other; they can also be imagined as two people sharing food.

More on Possibilities later.

Heap (for Peter Tyndall)

Permapoesis

A well-composted soil fixes carbon in the earth where it’s needed most.

Permaculture bases its design principles on agro-ecology. A permaculturalist understands local ecology and applies this understanding to food production. This changes social, economic and cultural structures. If a poet’s food, which in part provides the material for poesis, is produced with her involvement, and within walking distance of her primary dwelling, her text is altered from one of capitalisation (reliance upon importation of resources) to one of ecology. The poet now participates actively within the environment that supports her, and the form and content of her life and work change accordingly.

The Readings Summer book catalogue arrived today which woke me from my slow text fantasy. I flicked through it in horror before heading back to my soil sifting. As I worked I imagined a publishing industry based on permaculture design and writers and poets stripped bare of their mediated existences; once dislocated, now active participants in the world that supports them.